By John Ernest
Ernest revisits the paintings of nineteenth-century writers and activists similar to Henry "Box" Brown, Frederick Douglass, Harriet Wilson, William Wells Brown, and Sojourner fact, demonstrating that their thoughts of justice have been way more radical than these imagined by means of so much white sympathizers. He sheds gentle at the strategy of studying, publishing, learning, and historicizing this paintings through the 20th century. awaiting the way forward for the sphere, Ernest bargains new rules of justice that provide fragmented histories, partial recoveries, and still-unprinted texts an analogous worth as canonized works. His inspiration is either a traditionally educated critique of the sphere and an invigorating problem to give and destiny scholars.
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