By Anne-Mareike Franz
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The Nobel Prize-winning dramatist Luigi Pirandello (1867-1936) is certainly the most cutting edge playwrights of the 20 th century and likewise probably the most complicated. whereas his effect unfold all through modernist and postmodernist works, many first-time audiences and readers are faced with the trouble linked to one of these radical aesthetic event.
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Company and the businessman have had a basic position in American society because the inception of the country. This guideline, the ‘gospel of wealth’, is a principal situation within the novels of Theodore Dreiser and his contemporaries. First released in 1987, this study sets this workforce of writers of their historic context and indicates how they elaborated the assumption of wealth as an item of quasi-religious quest.
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